In Ordeal , Boreman painted a horrifying picture of her life with her manager and husband, Chuck Traynor. She testified before the 1986 Meese Commission (Attorney General's Commission on Pornography) that her entire adult film career was a product of severe domestic trafficking.
: In her later autobiographies, such as Ordeal , Lovelace claimed she was a virtual prisoner held under the sadistic control of Traynor, who she said forced her into these acts through violence and intimidation.
While often cited as 1969, some records and filmographies list it as 1971, predating her breakout mainstream hit, Deep Throat (1972) . The Controversy of Consent linda lovelace dogarama 1969 checked
However, there is a more plausible explanation:
In 1969, Lovelace starred in "Dogarama," a short film directed by Radley Metzger, who would later become a prominent figure in the adult film industry. The film was produced by Metzger's company, Radical Cinema, and was shot in a semi-documentary style. "Dogarama" features Lovelace in a series of explicit and often disturbing scenes, which have become infamous for their graphic content. In Ordeal , Boreman painted a horrifying picture
: Conversely, the cameraman who shot the film, Larry Revene , and other industry figures like Eric Edwards, later asserted that she appeared to be a cooperative, even willing participant during the shoot. Legacy and Denial
In various interviews, Lovelace has discussed her experience working on "Dogarama." She has claimed that she was misled about the film's content and was not fully aware of the nature of the project. Lovelace has also stated that she was subjected to physical and emotional abuse during the filming process. While often cited as 1969, some records and
In her 1980 autobiography, Ordeal , Linda claimed that her husband and manager, Chuck Traynor , was a violent sadist who forced her into these films at gunpoint. She stated she was a "prisoner" who was physically abused and coerced into performing acts that she found revolting. For years, she denied the existence of the "dog film" until the footage resurfaced, at which point she maintained it was one of her most shameful experiences of forced participation.
As adult film collectors and archival historians began digitizing mid-century stag loops, actual physical prints of Dogarama resurfaced. The visual identity of the performer was unmistakably Boreman, prior to the plastic surgery and dental work she received ahead of Deep Throat . 2. Legal and Biographical Admittance
No reputable media archives or scholarly studies on the history of adult film from the 1960s/1970s mention this combination of terms.
By the late 1970s, Linda divorced Traynor, reclaimed her birth name, and stepped away from the industry permanently. She teamed up with radical feminists Andrea Dworkin and Catharine MacKinnon, utilizing her past experiences—including the trauma of making Dogarama —to spearhead the anti-pornography movement. She famously testified before the Meese Commission in 1986, stating that whenever someone watched her films, they were essentially watching her being raped. Cultural and Cinematic Legacy